WEBVTT
Kind: captions
Language: en

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I got an email from an
aerobatics team that said,

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"Hi, we attach pyrotechnics to our planes

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"so we can produce a fireworks show in mid-flight.

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"Do you want to come for a test ride?"

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[radio] "Going right, now."

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What else was I going to say?

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Look at that sunset.

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Oh, wow.

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- My inspiration for Aerosparx came from seeing
New Years Eve on television,

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in Edinburgh, where underneath the castle
they had a waterfall of light.

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I always imagined that being somehow trailing
off behind the wing of an aeroplane.

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- Aerosparx, as a display team, we are lucky
enough and privileged enough

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to go all over the world.

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We've been to China, Saudi Arabia, Portugal,

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lots of locations in Europe, and obviously
locations in the UK.

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And we can display from up to 300,000 people,
to a million people.

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- All right.

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It is nearly dark enough and our planes are
nearly in position.

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This is going to happen very soon.

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Just to be clear, this is a practice run.

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This is not a proper display.

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When it's a display,
there is a lot more going on in the cockpit,

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a lot more going on the pyrotechnics,

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and they are very much not allowed
to take passengers.

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But, um, yeah.
Let's see what this is like.

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- And, relax(!)

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- Are my nerves that obvious?

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- One of the big wows is flying
in extremely close formation.

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We're helped by the wings
being extremely long,

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so your peripheral vision is just full of
aeroplane.

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- I don't see Guy very often,

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but I know that he's probably only three metres
from my aircraft,

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and that's where trust comes in.

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- You'll see us firing lots of different kinds
of fireworks, pyro, from the aeroplanes.

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They all need preparation
and that can take some hours.

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So all of the igniters, eMatches, need inserting
into the fireworks.

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We need to work out what we're going to put
on the aeroplane where,

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and then the process of actually fitting the
aeroplane, again,

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can take half an hour to an hour.

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We genuinely can't shimmy down the wing and
light the blue to uch paper.

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All commercial firework displays are ignited
the same way.

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They're all ignited with a control box lighting
an eMatch or an igniter.

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And that goes into the blue touch paper, effectively.

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And we do just the same.

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We started out by having a bank of switches.

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But when you're under
high workload in formation flying,

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it's so easy to hit the wrong button.

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We can fire 24 separate fireworks in our display.

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You can't get 24 right in a sequence.

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So we've actually had a
bespoke computer system designed,

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and not only does it fire our
fireworks for us, but it also

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controls the LED light system
on the aeroplanes  as well.

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And that means I now have only one button.

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So once I've pressed it once, it then auto-sequences
onto the next part of the programmes.

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My imagination, I've found over the years,

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has always been a leapfrog ahead
of the authorities' regulation.

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Not trying to stop what we're doing,
but trying to understand what we're doing,

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and finding out where it fits into regulations
that were written, quite genuinely,

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not for aeroplanes.

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So at the moment we're dealing with
aviation regulation and firework regulation.

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[radio] Diving now.

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Loop now.

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Fire, fire, fire.

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Loop. Loop, now.

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- Check your CB, Rob,
check your CB.

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- So the question is, how can they do this?

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And how can they do this safely?

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[radio] Loop.

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Loop, now.

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- We have defined roles.

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My job is to lead the formation,
lead the display.

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- Rob is working very hard in the climb out,

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working out exactly where
to start the display,

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and how to modify the display subtly

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to keep it in the right place
with the wind conditions.

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My job is very clear,

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to fly safely and as close as I can
without hitting him.

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Planning is everything in our display,

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and that planning starts on the ground
before we even get airborne.

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We do a bumblebee dance, as we call it,
so we go around in circles,

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in our mind and physically mimicking the manoeuvres
that we're then going to do in the sky.

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And that then sets a cadence and a rhythm,
and the physical memory of what you're doing,

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so that when we start a display,
we're on the same page and working as a team.

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On the radio, we're confirming all the time
what we're going to do before we do it.

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- Okay. Firing now.

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- Our choice of using a Grob 109
motorglider was for lots of reasons.

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One of my original imaginations
of this firework display

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was to separate the fireworks as far as we could,
and we needed a big wingspan for that.

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Because it's a glider, it also has
the efficiency of a glider.

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Which means that we can perform aerobatics
with a very small engine, and it gives us grace.

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The disadvantage with a motorglider is a very
small engine.

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That means we take a long time
to climb to altitude,

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and when we're at altitude,

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we try and conserve all the energy we have.

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We describe our as play as painting with light.

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We like to think that the focus is more on
the image we're painting with the aeroplanes,

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rather than the distinct manoeuvres we're
doing separately.

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Fireworks are great on the ground,

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when you're flying next to fireworks,
it's even better.

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And I still pinch myself every time I even
think about going flying with fireworks,

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and just think, 'I can't believe we're actually
going to do this'.

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- That's incredible.

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So that's, what, two tests now.
And what are you doing tomorrow?

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- Tomorrow will be twice as much pyro
in the same length of time.

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So it's going to be Armageddon.

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- Thank you so, so, much.

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- Very good.

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- You can find out more about Aerosparx and
all the displays they're going to,

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at the link in the description.

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- Thank you.

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What we are going to do
is turn the engine off.

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- Oh.
- And land as a glider.

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- Okay. Um.

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Sure!

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- There you are, look. No engine.

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The propeller's just... just stopped.

