WEBVTT
Kind: captions
Language: en

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You're not seeing this pink. Not properly.

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This camera can't capture it,

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YouTube can't store it,

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and your screen can't display it.

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I'm in the studio of artist Stuart Semple,

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and he's made what he calls the Pinkest Pink.

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I've been painting since
I was five years old,

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and I've seen a lot of pink.

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And thousands and thousands of people
have used the pink,

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and nobody's said they've seen a pinker pink.

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This stuff's really pink.

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I've created the pinkest pink,
the greenest green,

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the loveliest blue,
and the yellowest yellow.

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I've also created the world's most glittery
natural glitter

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and the mattest blackest
art material in the world.

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About a year and a half ago, a company called
Surrey Nanosystems

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announced that they'd created Vantablack,

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which was this really awesome
blacker-than-the-blackest-black black

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but they gave the exclusive rights to an artist
called Anish Kapoor to use it,

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and that annoyed a lot of artists,

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and I got really annoyed as well.

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So I put my Pinkest Pink out.

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On the web site I put a disclaimer

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that you weren't Anish Kapoor,
you weren't associated with Anish Kapoor.

25
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A lot of people thought that was quite funny

26
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and a lot of people bought the pink

27
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unfortunately including Anish Kapoor,
who managed to get his hands on it

28
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and then he dipped his finger in it

29
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and put it on Instagram
that he'd got the pink.

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It was sort of great and sort of really frustrating
when he did that,

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because all of a sudden we were getting
thousands and thousands of orders

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we ended up staying up for about four weeks
making pink paint

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and nothing else could happen

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and it just took over our whole life.

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There are all sorts of complicated and clever
ways that computers can store colour,

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but by the time this video reaches your screen

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it's basically just a series of numbers that
say how bright

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to make each of the red, green and blue pixels,

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the tiny lights that make up your screen.

40
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And unless you've got
a really fancy, expensive screen,

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those numbers run from 0 to 255 --
which is eight 1s in binary.

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0 means turn the pixel off,
255 means as bright as it can go.

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That means your screen can show
somewhere around 16 million colours.

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But that's not every colour.

45
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And it's not this one.

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Because if I pointed this camera at the sun,
you wouldn't be blinded.

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The numbers can't go above 255, I can't make
your screen go brighter than 100%.

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And if I point it at something extremely dark,
the number can't go below 0.

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I can't make your screen any darker
than if it was turned off.

50
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In the same way, there are colours that are
so intense

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your screen can't display them, the pixels
cannot go red, green or blue enough.

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And this is one of them.

53
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There are massive libraries of pigments,

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organic ones, inorganic ones, synthetic ones,
created ones, natural ones,

55
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and they've been digging them up
since day dot.

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'Mummy brown' was made out of ground-up mummies.

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So there's a huge database of pigments that
you can order.

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And you can play with them.

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I've made mixes of these pigments and binders,

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created something, tweaked it, and gone back
and got these relationships right.

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So it's quite a complicated little potion,
actually.

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In a few years' time,
technology will move on.

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It's already possible to buy expensive equipment
with a wider colour gamut,

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and that might be able to display this pink.

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But in the meantime, I can try and simulate
what being here is like.

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In this shot, this one here, I've digitally
adjusted the saturation of this pink

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so it's not quite as intense.

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Now if I turn it back up...

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Imagine that change, but more so.

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That's how pink this pink is.

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It is ridiculously pink.

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Thank you to Stuart Semple and all the team
at his workshop:

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pull down the description for more about them,
their pigments, and this pink.

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This is gorgeous!

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I cannot get over how luminous this is.

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I started out, like, "well, this isn't doing
anything, this is just powder"

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and then it just goes!

